Now, the game still provides new weapons and outfits frequently, they are just not presented as the main driving force pushing players forward (which does hurt the campaign's replayability to an extent). Victor Vran can be completed over a few hours, and while that might be short for this type of release, it does at least make great use of every second. Victor Vran might just have the best combat out of any action

The are two reasons getting this right is important, and both reasons are the same but viewed from different perspectives- Minecraft is still the biggest game in the world. The official VR mode is exclusive to the Rift, so you can bet that Microsoft/Mojang and Oculus worked together to make sure the experience is as inviting as possible. Getting this right is a major deal for both companies. This ties in to the other perspective, which is consumer-side. For a lot of people Minecraft will be a premier game for VR, and how accessible it is will become the baseline expectation of the experience. Make it nice and maybe it becomes the VR gateway drug, and at the moment the experience is acceptable. The default starting view may be the same Minecraft as always on an in-game screen, and Classic Control has high nausea potential, but the jerky VR Control is the kind of thing you learn to tolerate simply because it's effective.

On the surface, Victor Vran might appear to be a typical dungeon-crawler action RPG but looks can be slightly deceiving. Unlike many of the projects developed for the genre, Haemimont decided to not focus too heavily on loot and grinding, instead prioritizing real-time combat and weapon classes. As such, Victor Vran plays out like a hack and slash game that just happens to be presented from an isometric an

Let me begin by saying that this episode is particularly short, like a little over an hour short. I guess that's what happens when the first two episodes are only separated by a few weeks, but the fact that to get the entire experience you have to play through it twice sort of pans out well because it then makes the episode about two hours long. Still, a much longer playthrough for the sequel was expected considering the complication of the events taking place. That being said, the episode covers the areas following either Elligaard or Magnus and each path allows you to follow and understand more of the world of Minecraft. There are a few inconsistencies that don't make sense and some new events that don't necessarily pertain to Jessie or his/her friends, but that doesn't label the episode as terrible. By inconsistencies, I mean there were points in the game where I thought, "why can't they just do this/that in order to progress?" One moment that comes to mind is when a character falls into a hole and can't seem to get out when they could have built their way out as they were able to in the first episode. The rest of the episode is littered with little things like that that make you scratch your head and ask those questions.

Minecraft: Story Mode - Episode 2: Assembly Required doesn't meet the bar that the previous episode set, but that doesn't rule it out as awful. The fact that it relies on environments to cover the fact that there's really nothing to do/talk about gives reason as to why forked paths are rarely done in games. There are no new innovations and because of that, the story should be a little stronger, but instead stumbles. Hopefully, with the potential that the series holds, the following episode will focus more on Jessie and give players a much wider variety of things to do, decide and explore.

The heyday of music gaming may have come and gone, but even if it was ultimately just a fad that we were all caught up in (which I don't think is the case), it would do absolutely nothing to tarnish the memories of nights spent playing Rock Band with friends, Powerwash Simulator Satisfaction nor can it ruin the fun still to be had in getting the band back together for one more tour.

The problem is that VR is such an incredibly tempting target that it's nearly impossible to not experiment with applying it to the FPS experience. (For the sake of argument, lets call any first-person game you move around in an FPS experience, even if no shooting is involved.) The incredible presence is still wonderful even after repeated exposure, and who wouldn't want to feel the full sense of scale of the world they're gaming inside? VR Minecraft? After the hundreds of hours I've put into that game it sounds like the best idea ever, except for the small issue outlined in the previous paragraph. On the plus side, Microsoft and Mojang haven't ignored the problem, and while one viewing mode is self-defeating and another a guaranteed ticket to quick nausea, the recommended VR controls actually work. It's awkward and jerky, but actually allows the game to be played with no discomfort.

The lore implications for this creature are terrifying and completely mysterious. If that wasn't already bad enough, this creature will also fly about attacking anything that isn’t an undead creature. If the player doesn’t quickly bring this beast down, its destructive potential will obliterate all life and severely alter the landsc