Fable Anniversary is a port of ten year old game released on eight year old hardware after we’ve witnessed the power of next-gen. Yet even with so much stacked against it, it manages to impress. There’s not much of a "wow-factor" because of its ill-timed release, but with the exception of completely rebuilding the game for Xbox One, there simply isn’t much else that could be done that isn’t accomplished here. Sound, functionality and graphics are all substantially improved and breath new life into a game that has aged remarkably well. Even after two sequels and console generations, Fable has the uncanny ability to suck you into its Adventure game Money guide through the world of Albion. Anniversary is more of a preservation if anything, ensuring that the entire franchise can now be played in the same manner on the same console. As a museum piece, it’s a wonderful effort that ensures the game will remain relevant for a new generation of players. As a game, it’s the definitive edition of a superb title that has a lot to offer even in 2014.

What better way to reinvent a gaming franchise than taking away the controller? It’s a risky proposition to turn one of the most successful Xbox franchises into a Kinect-only title, but that’s exactly what’s been done with Fable. Instead of producing a family-friendly mini-game based game, however, Lionhead Studios have created a full-blown adventure that manages to rival the main canon in scope. Not only is Fable: The Journey an evolution of the series, but a crucial experiment to see if Kinect can manage to produce a story-driven experience with nothing but the player’s body.

As we mentioned in our previous video, " Movies You Didn't Know Were Shaped By Video Games ", Crank is modelled after the insanity of games like Grand Theft Auto . In turn, Grand Theft Auto was heavily influenced by classic crime movies like Heat , Scarface and Goodfellas . So why not keep the cycle going by making a Grand Theft Auto movie, complete with all of the violence, satire and gleeful immorality that made the video game series such a hit. With a dream director like Michael Mann, Martin Scorsese or Robert Rodriguez behind the wheel, Grand Theft Auto could take over movie theaters as successfully as it took over games conso

We've all seen action movies where the hero shows up just in time to prevent nuclear bombs being dropped on the United States. Well, the Fallout series is set in a world where that hero never showed up. What makes the Fallout games particularly good source material for a movie adaptation isn't so much the story, but the setting. When the dust clears, America is a blasted wasteland occupied by small pockets of life including bandits, monsters, slavers, weird cults, military factions like the Enclave and the Brotherhood of Steel, and a whole lot of regular people just trying to scratch a living. For the right filmmaker, this world could be the perfect backdrop for an original story set in the Fallout unive

Member the games you used to play? We member. The basement at the Hardcore Gamer office has a section known as the Crust Room, with an old grey couch and a big old CRT TV. All the classic systems are down there collecting dust, so in an effort to improve the cleanliness of our work space, we dust off these old consoles every so often and put an old game through its paces, just to make sure everything stays in working order. We even have a beige computer with a floppy disk drive.

If there ever was a game designer that should not talk about his games prior to their release date, it's Peter Molyneux. When discussing his projects, Molyneux has a childlike sense of excitement where he will enthusiastically share details on his grand ambitions for the title. This is actually quite refreshing in itself, because who doesn't enjoy hearing someone passionately discuss their creative projects? The problem with this occurs when the game in question is actually released. The game itself could be good, even great if it were simply judged for what it is, but disappointment is going to happen when a title fails to deliver on lofty promises no matter how good it may otherwise. The most memorable example of Molyneux creating hype that the game couldn't live up to was 2004's Xbox exclusive action RPG Fable.

Another big improvement is that of the interfaces. The previous ones were rough even in 2004, seeming basic enough to be more at home with PS1-era games. Thankfully, they've been completely overhauled for this release, matching up better with the subsequent Fable games. Navigation-wise, they’re a bit too clumsy. The triggers, shoulders buttons and analog sticks all come into play when scrolling around, resulting in a learning curve that shouldn’t exist for menus. Still, there’s only so much that can be done and at least the old interface wasn't simply re-skinned.

Peter Molyneux’s role in the gaming industry has been one of the longest in the industry’s history, with his first game, The Entrepreneur , being released in 1984. The Entrepreneur , despite Molyneux’s enthusiasm toward it, was a mass commercial failure, said to have sold only two copies (one of which rumored to be from his own mother). After the game’s brutal release, Molyneux left the industry for the next three years, until he teamed up with Les Edgar to begin the game development company Bullfrog Productions. Though the company released a scrolling shooter named Fusion a year before, 1989 marked the release of Populous , Molyneux’s claim to fame and what is arguably the very first "god game." Populous was a commercial success, becoming the best-selling game from the company and becoming the progenitor for future strategy games of its kind. Further Bullfrog games like Dungeon Keeper followed in Populous’ wake until Molyneux created Lionhead Studios to produce other god games like Black and White . Molyneux steadily continued experimenting with new ways to play with Fable on Xbox and use of Microsoft’s Kinect peripheral (with the tech demo Milo ). Currently with 22 Cans Studios, Molyneux is developing a "spiritual successor" to his game Populous called Godus , which met funding goals on Kickstarter in 2012.