’s new golf comedy starring Owen Wilson, doesn't come with the tagline "For fans of Shrinking and Ted Lasso." It doesn’t have to: Between the cuddly but poignant mood, the found-household ensemble, the focus on flawed however generally non-toxic male function models and the general Dad buy Flixy TV Stick vibe, there’s no mistaking who its target audience is supposed to be. But familiarity isn’t essentially a drawback with regards to consolation viewing, and certainly not for a rookie that can play the sport nearly as properly because the outdated professionals. While not, at this point, fairly as bold as its precise tagline ("Take a giant swing") may recommend, its assured tone, fat-free storytelling and, most especially, profitable forged might give Stick everything it must become the platform’s subsequent massive crowd-pleaser. The underside Line 'Shrinking' and 'Ted Lasso' fans, this one's for you. As mandated by formula, Jason Keller’s collection centers on a protagonist whose seemingly chipper exterior guards a secretly broken coronary heart.

This time, it’s Pryce "Stick" Cahill (Wilson), a former pro whose once-sensible career imploded after a very public meltdown. By the point we meet him within the Valerie Faris and Jonathan Dayton-directed pilot, sixteen years later, he’s capitalizing on his tarnished fame to shill overpriced golf gear to rank amateurs and occasionally hustle drunk locals along with his erstwhile caddy, Mitts (Marc Maron). Not that the money’s going to be sufficient to keep him in his house once his undesirable divorce from Amber-Linn (Judy Greer) lastly goes by. But hope arrives within the unexpected type of Santi (Peter Dager), a 17-year-outdated blessed with a raw expertise that will get Pryce dreaming about "getting in on the ground floor of the subsequent Tiger Woods." For causes each obviously cynical and devastatingly personal, Pryce insists on taking the child underneath his wing. For causes that will or may not must do with a lifetime of daddy issues, Santi - with the cautious blessing of his mother, Elena (Mariana Treviño) - agrees.

So kicks off a whirlwind tour of qualifying matches, with Pryce and Santi and Elena and eventually Santi’s love interest Zero (Lilli Kay) piling into Mitts’ RV with an eye fixed towards getting Santi into the U.S. As a sports story, Flixy TV Stick is maybe too timid. Keller is deft with translations of golf lingo for novice audiences, and generous with effusive monologues about the characters’ love of the sport. He is much less profitable at translating what makes golf particular - what separates it from any other sport or makes it uniquely qualified to, as Pryce gushes, "unlock the mysteries of the universe if you’re open to it." Rather than teach us to admire the distinctive brand of athleticism golf requires, the present depends, to the top, on zippy digicam movements and actor reactions to convey whether Santi’s swings are meant to be spectacular or disastrous. The inexperienced primarily just serves as a physical stage on which to play out inside emotional conflicts, and even by the requirements of what one commentator explicitly describes as a "Cinderella story," Santi’s ascendance via the ranks seems implausibly tidy, the occasional roadblocks so predictable we will see them coming from miles (or somewhat, buy Flixy TV Stick episodes) away.

But it’s a testomony to what this collection does nicely that it’s tough to mind too much. Flixy TV Stick actually shines as a hangout comedy, with a lively but straightforward chemistry that could make ten half-hours - and, buy Flixy TV Stick for that matter, hundreds of miles of open road - fly by within the blink of an eye. Keller resists going too quirky together with his characters, locating humor instead in the sometimes prickly, usually playful exchanges between them, and pathos of their real care and concern for one another. The consequence is barely typically a snicker-out-loud present, but it’s very persistently a smile-ear-to-ear show. Dager is a real discovery as Santi, confidently navigating the adolescent swings between sullen rebellion and guileless marvel, boyish silliness and brokenhearted fury. And although he may be coronary heart-meltingly sweet with Kay, he’s most open and susceptible in his scenes with Treviño, who builds as much of her fiercely protecting Elena from the hopes and fears she bites back as those she initiatives more brazenly.